Indonique.com


Monthly Report
Spices & Ethnic Imports
January 2008


34 Rupees


A Monthly Publication Delivering to the Empire the Best In Indo-Asian Resources
Razia Begum
The First Female Sultan

In 1236, the Sultan Ilutmish, the first Mamaluk King of Delhi dies leaving his Kingdom to his oldest Daughter, Radiyya Altamish or Razia Begum. A skilled ruler, she refused the title Sultanese in favor of Sultan and assumed the title, al-dunya wa al din, "blessed of the earthly world and the faith".
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Baroda, Gujarat
Technology City

Baroda is today a city of 1.6 million people on the banks of the River Vishwamitri in the Indian state of Gujarat and princely seat of the Gaekwad Marathi clan. It has recently fashioned itself as the Technology city of India continuing the modernization and technology investment trend begun by Maharaja Sayajirao III (1875 - 1939). It's sister city is Edison, New Jersey, with a large Gujarati population.
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Makar Sankrant
Kite Festival

January 14th marks the Hindu solar festival called Makar Sankrant, the transition to the zodiac sign of Capricorn from Sagittarius. From that date the sun begins to move northward and higher each day for six months, a period called Uttarayan in Hindu calendars.

Having its origins in many different places and times in India, it's celebrated differently and for different reasons throughout India.
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Indo-Book Review

"The Overcoat"

Nikolai Gogol

In our review of the movie, Namesake, the focus of the film is the character, Gogol, named after the Ukrainian born Russian writer Nikolai Gogol. Since post independence India was so very much influenced by Soviet economics and politics, we thought a review of "The Overcoat" would be appropriate.
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Indo-Movie Review

"Parineeta"

Parineeta is director Pradeep Sarkar's ground breaking 2005 romantic film adaptation of the Sarat Chandra Chattopadadhyay book of the same name. Well directed, beautifully filmed and expertly performed, Parineeta sets a standard for later Bollywood films.
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Indo-Fashion Focus

"Men's Fashion in India"

It is not uncommon to see the modern Indian man looking like he just walked out of a GQ photo shoot. Like Indian women, Indian men have adopted a more chic and westernized dress. The influential and inspirational fashion trends of India are rapidly evolving, yet, traditional menswear is still prevalent.
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Indo-Recipes
Indian Food Recipe
Indian Style Chickpeas
Instructions:

1. Soak chickpeas overnight, rinse, cook in water until tender. Drain, KEEP THE COOKING LIQUID!
2. In a frying pan heat the oil, fry onion until golden, then add cinnamon and cloves, cook a few seconds.
3. Add garlic, ginger, chili pepper, ground coriander and cook 5 minutes, stirring.
4. Add tomatoes, with the juice and cook until all liquid has evaporated.
5. Add the chickpeas to the pan, mix well, cook 5 minutes.
6. Pour the cooking liquid of the chickpeas and simmer for 25 minutes, until all the liquid is gone.
7. Sprinkle with the garam masala and cilantro.
8. Can be served hot of cold.

Ingredients:

1 cup chickpeas
2 Tbsp vegetable oil
1 onion chopped
2 cm cinnamon stick
4 cloves
2 garlic cloves, squashed
2 cm fresh ginger, chopped
1 green chili pepper, finely chopped
2 tsp ground coriander
3/4 cup of chopped tomatoes (canned)
1 tsp garam masala
1 Tbsp cilantro, chopped

Click here to downlod a 3" X 5" recipe Card for this Recipe
Print the page and cut along the dotted line. Should fit most recipe card boxes.
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Begum Razia Continued...

Unlike most women of her day, Begum Razia, born in 1205, was trained from birth by her father to assume the throne. She was an accomplished military leader and a skilled politician. Her political skills were put to good use immediately after her father's death. Noblemen within the inner circle of the Sultanate ignored the late Sultan's wish to enthrone his daughter in favor of her younger brother, Feroze Shah. Lacking the training and skills of his older sister, Feroze neglected duties of court and embarked on an unpopular course of personal debauchery, his mother, Turkaana, step mother to Razia, becoming ruler by default. So unpopular was the rule of Feroze and Razia that the same nobles who installed them reluctantly negotiated a return to power of Razia. Feroze Shah and Tarkaana were murdered on November 9, 1236 making Razia the first ruler of th Delhi Sultanate.

Reza's troubles didn't end there. She was rumored to have taken to an Assyrian slave named Jala-ud-din Yaqut. The exact nature of their close relationship is unknown. However, a rival ruler, the rebellious governor of Batinda, Malik Ikhtiar-ud-din altunia, used the rumor as a pretense to attack Reza's forces. Reza readies her forces and leads them out of Delhi into battle but is defeated by the rebel governor who kills Yaqut. Seeking legitimacy for his claim to the Delhi Sultanate, Malik compels Razia to marry him. Meanwhile, back in Delhi, like something out of daytime soap lore, another younger brother of Razia, Mujuddin Bahram Shah, challenges the new claimant to the throne and seizes control. In an attempt to regain the Kingdom, Reza and Malik are killed in battle in the forest of Kaithal near present day Karnal, Haryana about 60 miles north of Delhi on October 14, 1240.

Although her rein was short, Reza proved to be a capable leader. She dressed as a man, refused the title Sultanese in favor of Sultan and rode an elephant into battle veiless and wearing men's clothes.

Pictured here are Daya and I at the Qutb Minar, built by a succession of Sultans of the Delhi Sultanate, including Rezia and her father. It was the largest of its time and built over older Jain temples. Look for our March Newsletter when we'll cover the fascinating tale of the Delhi Sultanate founded by slaves turned Kings and the Qutb Minar complex.

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Baroda Continued...

The city had humble beginnings as a small town opposite the Vishwamitiri River of a larger urban center. Its rise in prominence began in the 9th century when flooding in the year 600 AD forced most of the areas inhabitants into the township and surrounding areas. Situated on an important river and near the Gujarati coast the area steadily accumulated importance and wealth as a major trading link between Delhi, Rajastan, Bombay and as far north as modern day Pakistan.

Hindu Kings ruled the kingdom until Muslim invaders, part of the Delhi Sultanate, seized control of the area in 1297, themselves replaced by Mughal rulers in the 17th century.

Throughout the long Sultanate and brief era of Mughal rule, the Hindu Marathra kingdom to the south proved a persistent and often overwhelming concern. The Marathra federation, an Indo-Ayan race, led by a dominant Peshwar, stopped Mughal expansion into south India seizing control of most of the Indian subcontinent by the 18th century. In 1721 The Gaekwad dynasty in Baroda was started when Maratha general Pilaji Rao Gaekwad wrestled control of Baroda from its Mughal rulers and was awarded control of it along with most of present day Gujarat and Maharastra as a fiefdom of the Peshwar. The fiefdom soon became so only in name, the Peshwar only a symbolic ruler after the battle of Panipat in 1761 threw the entire Marathra federation into disarray. The Maharaja of Baroda under siege from internal elements forged an alliance with the British East India Company in 1802 that rescued and bolstered the Gaekwad dynasty. In return, the East India Company gained Paramouncy over the Kingdom's external affairs, the Maharaja retaining independence and full control of internal affairs. The agreement lasted until independence in 1947 when it was split into the modern states of Gujarat and Maharastra.

The Gaekwad dynasty still maintains the Laxmi Vilas Palace in Baroda. Daya, whose father is from Baroda, and I were treated to a private tour in 1993. The structure is incredible, a storybook Indian Palace complete with gardens, fountains and an armory stacked with weapons of every description from 17th century swords, chain male and mace to British era rifles. Polished stone floors reflected stuffed tigers and lions and ornately framed paintings traced its and its inhabitants' history.

The city itself reflects India today, a mix of modern glass and steel structures housing high tech industries and miles of ornate historic buildings. A short drive through Baroda by rickshaw can take a visitor from quaint villages through bustling bazaars to modern IT centers or Mughal era elegance. It's British Raj era name was officially changed to its ancestral name Vadodora in 1973 and, due to a surge of nationalist emotions, has gained dominance.

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Makar Sankrant Continued...

In the south of India, this auspicious day, called Pongal, or overflowing, is a kind of thanksgiving owing to its coincidence with harvest time and the first of a four-day celebration. The first day, Bhogi Pongal, marks a day of cleansing, a new beginning when old clothes and discarded items are thrown into bonfires. Colorful floor designs are created using rice powder, red earth, cow dung and flowers. The second day, Surya Pongal, newly harvested food is offered to the sun god. Day three, Mutta Pongal, cows are ritually washed and decorated, their horns polished. They are fed sacrificial food prepared the previous day. On the final day, Kanya Pongal, sisters pray for the happiness of their brothers and colored cooked and dyed balls of rice are placed in fields for birds to feast on.

A related story has it that on the third day, Lord Shiva instructed his celestial cow, Nandi to deliver a message to the humans on earth; "to take an oil bath daily and eat once a month". Nandi, confused, instructs humans to eat daily and bathe monthly. The infuriated Shiva compels the beast to return to earth and remain there to help the humans plow the earth to produce enough food for the daily meals.

In the Punjab, Makar Sankrant is the coldest day of the year. Bonfires are lighted and traditional Bangra dance is performed through the night. A party atmosphere predominates.

In Gujarat, the festival is celebrated with kite flying, especially in Ahmenabad, where the celebration has obtained international recognition. In the old city, a Patang Bazaar (Kite Market) develops where kites of every description can be found. After sunset, lighted box kites take flight, a beautiful sight indeed. The most fun however is to be had in aerial combat with flyers cutting the lines of other kites via sharp edges and lines encrusted with crushed glass. Falling kites create a eurphoria on the ground as children rush to capture fallen kites to reuse or resell. It's also a day for gift giving to younger members of the house and for sweets (julebi) such as a sesame seed sweet called til ladoo.

It's a very festive day throughout India and a worthwhile date to visit. Just watch for falling razor edged kites.

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The Overcoat Continued...

Nicolai Gogol (1809 - 1852) wrote about and from the perspective of common Russian people, radical stuff for his time. His work is the earliest true representation of life in Russia. His characters are diverse and vividly depicted. Their life is detailed in excruciating often-ugly detail from the food they ate to the clothes they wore and the games they played. Ironically, a monarchist, Gogol paints a very unglamorous view of pre-soviet aristocrats and even less kind portrayal of Russia's entire social conscious society. Contemporary anarchist and antimonarchist, to his dismay, and later soviet era politicos, passionately embraced him. Its no wonder post-colonial India, finally free of both highly stratified British and Mughal rule, embraced Gogol.

The Overcoat is one of Gogol's most renowned works. The story centers on the life of a low-level government clerk, Akakii Akakievich, who is remarkable for his un-remarkableness. His lack of ambition is representative of his and his countrymen/s lack of opportunity. His daily torment by co-workers, representative of his countrymen's adherence to and participation in their own subversion to ruling will.

In the story, Akakii Akakievich is made aware of the terribly poor condition of his coat, too far-gone to be repaired. Lacking the funds to buy a new coat, Akakii sacrifices for months to save the funds for a new one, only to have it stolen in a ruthless attack the day after he receives it. His attempts to recover it and his lack of social skills result in his mistreatment by a government official, so severe, it leads to a decline in will, health and eventual death. The government official is later, guilt ridden, tormented by a ghost, perhaps Akakievich's, who eventually seizes the officials overcoat.

The Overcoat like other Gogol works is highly acclaimed for its portrayal of 19th century Russian life. A deeper social meaning is left to the reader. To many contemporaries, The Overcoat was a stunning condemnation of a repressive regime. Gogol, however, was a monarchist and perhaps, in this readers opinion, was attacking individual's roles within the system rather than the system itself. Akakii Akakievich's desire to be respected through the acquisition of a new coat, the government official Akakievich seeks out to retrieve his coat and Akakievich's co-worker's torments and later praise of his new coat, all status driven acts, lead to Akakievich's death. Each willingly participates in Akakii Akakievich's destruction and through the ghosts, perhaps representing their past actions, are themselves harmed.

GJC

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Parineeta Continued...

For reasons not stated, the film is set in 1960s Kolkata, India, as opposed to the books early 20th century. Regardless of the reason, the film wonderfully portrays the mostly idle and self-serving lives of privileged Indians in the era while still adhering to the theme of the book.

The story centers on the life of the orphaned Lolita, surprisingly well played by new-comer, Vidya Balan, who is adopted by her uncle. Her childhood friend is the nextdoor neighbor, Shekar, played by veteran actor Saif Ali Khan, son of a classic evil business man, Navin Rai (Sabwachi Chakravarthy). The spoiled, father dominated Shekar never confesses his love for or acts on his love for Lolita. When his evil father attempts to steal the property of Lolita's dottering Uncle, new arrival and steadfast London Businessman, Girish (Sanjy Dutt) bails the Uncle out saving the family home. Girish is clearly smitten with Lolita, Shekar is jealous. You get the point. We won't spoil the ending. But here's a hint for westerners. The exchange of necklaces, gold or garland, is the wedding ceremony, private or public.

Filming reaches an art in Parineeta. Gorgeous costumes, both period and traditional are set against rich period decor and sumptuous landscapes, including a tea garden in Darjeeling. Unlike many current Indian films, color appears to have been tastefully coordinated throughout the film and will appeal to western preferences as well as more vibrant Indian tastes.

As in most Indian films, music is central to the work. Unlike typical Bollywood fare, however, music in Parineeta is cleverly incorporated into the story. It doesn't suddenly pop up, disjointed and occasionally unrelated to the film. The character Shekar is a musician, allowing director Sarkar to define characters and express emotions through him and his piano. The songs themselves are wonderful, the lyrics poetic.

Parineeta is an old story and subject of three other films. What makes this adaptation different is its adherence to story first and theatrics second. Costume, color, music and scenery are Sarkar's storytelling tools used to tell a story and not the other way around.

Here's some Youtube clips:

Darjeeling Tea fields serve as a backdrop for this video.

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Men's Fashion Continued...

Some of the most common forms of male attire are the dhoti (pictured left) and kurta (pictured right), worn in the central and western areas of India. The dhoti is a rectangular piece of cloth about five yards in length. It is wrapped around the waist and legs and knotted at the waist. The dhoti is very simple and usually white or cream colored.

The kurta is a loose fitting shirt that falls somewhere around the knees and can be worn by men and women. The kurta has no collar and the sleeves do not have a cuff, only a hem. These shirts are often quite simple but can be adorned with embroidery. A colorful kurta over jeans is a very common fashion trend among Western women. Think of the "hippie" look.

The Salwar kameez (pictured right), worn by men in northern India, consists of a shirt and trousers. The salwar is a piece of clothing resembling pajama pants. They can be relaxed and loose fitting, or stiffly pleated and more fitted. The legs are narrow at the bottom and wider at the top where they are held up by drawstring or elastic. The kameez is the shirt worn over the salwar. It is a long shirt with open seams starting at the waist to allow a large range of movement.

The lungi, worn in many parts of India, is like a dhoti, but less linear. The lungi is sewn in circles, much like a skirt. The lungi is also more colorful. It is often plaid or blue, but it can come in a variety of colors and patterns. The tops and bottoms are also sealed with a black or white resin to prevent fraying.

For special occasions, traditional men might wear the sherwani. This is a long, fitted, coat-like garment. The sherwani falls at about the knee and fastens at the front with buttons. It is often embroidered or adorned in some way and some men even wear them for their weddings.

Although western attire for men prevails even in India, traditional attire can still be found especially at formal affairs such as weddings, funerals and Indian holidays.

Emma G.

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